Freedom to Write Badly
In order to write, we must first overcome the fear of writing poorly. As Julia Cameron says in The Right to Write, “Perfectionism is a primary writer’s block.”
Have you ever told yourself, “I’m not a writer,” when your attempts fell short of your vision or failed to measure up to the prose of your favorite authors? That, according to Anne Lamott in her book, Bird by Bird, is because you never see the masters’ first drafts. She declares that all good writers rewrite; that their first drafts are far from what you finally see in print. William Zinnser, in On Writing Well, gives an example of a fourth of fifth draft of a page from his book. He shows his proofreading marks, which, as he says, make it look like a first draft. In his book On Writing, Stephen King gives an example of his raw writing, the kind he feels free to do with the “door shut. It’s the story undressed, standing up in nothing but its socks and under shorts.” After a lot of editing and rearranging, he has a revised copy that is, “the story putting on its clothes, combing its hair, maybe adding a small dash of cologne.” Then he’s “ready to open the door and face the world.”
In order for you to be free to write badly, free from worry about sentence structure, plotting, or mechanics, begin free-form writing exercises with no concern for rules. Free your muse by removing expectations for doing it “right.” It’s important that you first write from your heart and imagination without analyzing and correcting as you go. Do not judge; just write.
Many of the exercises in this workshop are based on “free-form” writing. That's where you write whatever enters your mind, with no thought of structure, grammar, spelling or coherence. This form of writing is meant to awaken your muse and connect you with memories and ideas that are deep within your psyche. It is not meant to be a grammatically correct, astute, or well ordered. Trust the process. It works. Even if you feel you don’t have anything to write, by keeping the pen moving, you will invite the muse as you quiet the critic.
“Go ahead and make big scrawls and mistakes. Use up lots of paper. Perfectionism is a mean, frozen form of ideals, while messes are the artist’s true friends. What people forgot to mention when we were children…was that we need to make messes in order to find out who we are and why we are here—and by extension, what we’re supposed to be writing.” — Lamott